An evening with Terry Martin, Australia on Tues 24th July 2012 from 6-9pm
at Glenn Lucas Studio. €20 per person – ring or email to confirm your attendance…more on this event very soon…
The Author Terry Martin will be known to many Irish turners for his fine publication with Kevin Wallace entitled ‘New Masters of Woodturning – Expanding the Boundaries of Wood Art’ which features Liam Flynn.
My woodwork grew out of a lifelong love of trees, something that must have begun with my childhood experiences playing in the Australian bush. The trees were always there and their scent, shade and quiet presence can still transport me to the past. I believe we must not destroy pristine forests, so I no longer use rare timbers. Trees do die and can be replaced, so we can make wonderful things from wood as long as we take care not to leave the environment poorer. The average woodworker uses less wood in a lifetime of creativity than a large newspaper uses in one day.
While I love to make simple shapes based on classical work, I also like to have fun and I enjoy breaking rules. It’s very satisfying to challenge conventional rules.
Contrast intrigues me-light and dark, rough and smooth, simple and complex. I particularly like to create intriguing peep-views into the heart of the tree. My childhood mantra was: “What’s in there?”
I have always loved languages, both my native English and others. My writing grew from this love and a fascination with why other woodworkers do amazing things. I knew there were stories to be told, so I started to chronicle their lives and dreams. There is something fundamentally charming about devoting your life to woodwork and my writing has enabled me to travel the world to meet many good people. In a world obsessed with speed and glamour I am privileged to spread the life stories of people who live a quiet and methodical life working in wood. We are among those who can make that increasingly rare and profoundly satisfying statement: “I made that.”
Past events at the Woodturning Study Centre:
Ashley Harwood at Glenn’s studio on Sun 6th Nov 3-6

The most recent overseas demonstrator was Ashley Harwood Sunday 6th Nov 2011 at 3-6pm
Description of the demo: more images coming soon…For the first part of the demo, I will demonstrate fine spindle turning in one of my sea urchin ornaments. This is done with three tools: the bowl gouge, detail gouge, and the vortex tool. I will show cutting techniques, sanding techniques, and how to sharpen a bowl gouge so that it eliminates the need for a skew. I will also demonstrate sharpening of the detail gouge and vortex tool. All of my sharpening is done simply with a platform. I do not use jigs for tool grinding. Assembly of this piece will be covered as well.
For the second part of the day, I will demonstrate bowl turning using the push cut. I will be using the same 40/40 grind on a bowl gouge that I was using for the spindle. I will show how to use the push cut to make one continuous cut all the way around the outside of a bowl with no torn grain. I will talk about the Seven Fundamentals of Woodturning – including stance, speed, tool rest position, chucking, and more.
Biography: Ashley Harwood has worked in many different mediums including neon, glass, performance, installation, and video art. She attended Carnegie Mellon University with a focus in Sculpture and Installation Art. Ashley currently lives in Charleston, SC. She came to the art of woodturning fairly recently. In 2009, she studied woodturning in North Carolina at the John C. Campbell Folk School. Since then, she has sold her work and demonstrated woodturning weekly at the Charleston Farmer’s Market. She also teaches woodturning at her studio in Charleston and has demonstrated in a number of professional venues throughout the US.
For the past two years, Ashley has worked with Stuart Batty, from whom she has learned the “push cut” style of woodturning and a unique, dynamic method of teaching.
Her works are completed entirely on the lathe. She uses simple, classic forms along with distinctive design elements that result in an approachable body of work with a high level of craftsmanship. Her design aesthetic is heavily influenced from her background in glassblowing. Primarily, she makes utilitarian bowls, ornaments, and jewelry.
Ray Key, 6-10 April 2011
Mike Mahoney, 3 Oct 2010
Clinton Biggs, 2 Oct 2010
Ciaran Forbes and Mike Mahoney, 29 Sept-3 Oct 2010
Liam O’Neill, 10 April 2010
Benoit Averly, 10 Oct 2009
Liam Flynn and Ciaran Forbes, 5 Sept 2009
Richard Raffan, May-June 2009
Mark Baker, March 2009

